Friday, December 21, 2007
Gurest Blogger- Kevin
Guest Blogger- Hayden
Guest Blogger-- Sam
Guest Blogger- Nick
Thursday, December 20, 2007
Wednesday, December 19, 2007
There is more to making Art....
Tuesday, December 18, 2007
New Art Materials? Cool, but now what?
For me, holidays meant new art materials. But sometimes I'd be so excited about using the materials, I couldn't think of what to draw. Here are some ideas for when you get stuck:
Worm's eye view: get down on the ground and draw things while looking up.
Design a new bedroom. If I had a million dollars, what would I do?
How about a mural? Would your parents let you paint one on your bedroom wall? What about on a huge piece of paper instead?
Try your hand at one point perspective. http://www.olejarz.com/arted/perspective/
Draw your hand. You can imagine it holding all sorts of shapes: a glass, a pen, an invisible dollar.... What do hands look like in American Sign Language shapes? Hands can keep you busy for days...
Texturize it. Look carefully at the textures of everything around you. How is the floor texturized? Does it have a rug on it? Is it shag or tightly woven? Is it embroidered? Is the floor wood? Is it Linoleum? Look at the couch. Is it cloth or leather? Tightly wrapped around the frame or stuffed? Fluffy or smooth? Look at the chairs, the tables, the bookstand. Everything has textures. How can you show those on paper?
Mirror, mirror: put things in front of a mirror and try drawing them and their reflection. Look at the reflections in things like a toaster, a frying pan, a pool of water...
Blow up an image. Make a giant drawing of a candy bar, or a piece of jewelry, or a toothbrush. How does it feel different when you look at it large? Blow it up another way. Imagine someone pumped up a toothbrush with air, or an apple or a notebook. What would an inflated leaf look like, or a fork or a computer?
Thursday, December 13, 2007
On a Snowy Weekend....make ART!
Wednesday, December 12, 2007
The Artful Teapot- Sculpture Class
Each student will make a matching cup, and we will have a tea party with our pots and cups on the last day of class.
In past years we've had teapots shaped as presents, dragons, pigs, candy, money and houses. I look forward to seeing this year's selections.
Fun Stuff for free time.... Making interactive art
lots of fast cool games based around art concepts, but done in fun ways such as a shooting arcade or videos of artists making their art. Worth checking out!
http://www.artsconnected.org/toolkit/
Inside Art- help! I got sucked into a painting....
Tuesday, December 11, 2007
Utilitarian Objects- 6th grade clay projects
Expressionism- 7th grade study on styles
Thursday, December 6, 2007
Splatter Painting
Who doesn't like to splatter paint? This site allows you to experiment in a Jackson Pollock-like way. Have fun splotching, splattering, dripping and spillling your way into art.
Cool Online Drawing/Painting program
Tuesday, December 4, 2007
Monday, December 3, 2007
Photo Mosaic: a cousin of pointallism
He starts with a picture, breaking it down in tiny pixals. He substitutes each pixal for a full photo which has the same value and color as the original pixal.
When viewed close up, Robert Silvers' pictures look like thousands of images. But when viewed from a distance, we see the images as colors, creating a larger overall picture. Just as Seurat relied on the viewer to blend his dots together with their mind's eye, Robert Silvers asks his viewers to blend the tiny photos together into one large image.
Friday, November 30, 2007
Guest blogger- Emily O'S.
Check out some great color fun!
Thursday, November 29, 2007
Guest Blogger: David
Wednesday, November 28, 2007
Guest Blogger - Kevin O.
Tuesday, November 27, 2007
Paste Paper Bookmaking 7th Grade
Paste papers are decorated papers with stamped, scraped, dribbled or drawn into textures. These were used by Colonial America as endpapers in books, as a way of simulating the marbled papers of old Europe.
Students in 7th grade Art Studio made paste papers today by mixing art paste with tempera paint. We wet the paper to make the fibers more accepting to the color, then painted this colored mixture onto the paper. We made desgins by scraping and dragging textures through the paint.
Students will use them for endpapers on the books we make and for designs on covers or for bookmarks.
Monday, November 26, 2007
The Festival of Trees- Arts Alive 6th grade
Post--Impressionism: Seurat-- 7th grade
Impressionists focused on light and color. But what are Post-Impressionists? They came after the Impressionists anso must be different. But so many of these artists are listed as both. How do they differ?
It's true. The connection between them is strong. Most of the Post-Impressionists were friends with the Impressionists, and like them, loved to play with light and color. The difference is that they thought the Impressionists didn't go far enough. Impressionists were concerned with capturing the moment, looking at reality and interpreting it in terms of the lights and darks. Post-Impressionists went one step farther.
Each of the Post-Impressionists had a different take on where they wanted to go with their art. George Seurat took light and color in a scientific direction. He looked at the latest research that examined how light was reflected or absorbed by a particular color. He combined that information with how the eye sees. He layed dots of different colors next to another, so that the human eye combines them to create a mixture of the colors. Thus, to make a green, he would place a yellow dot next to a blue dot. He still adhered to the Impressionist style of painting with complimentary colors and emphasising lights and shadows, but he did so in a controlled way. He planned his paintings carefully, working out a theme rather than drawing just what he saw. As a result, Seurat's paintings tend to look stiff and calculated, rather than as a glance or an impression.
Students are working on creating a Seurat style scientific drawing by painting with points of color.
just for fun: http://www.ahsd25.k12.il.us/~TriciaFuglestad/VisualArt/flashmovies/whatsthepoint.swf
Wednesday, November 21, 2007
Tuesday, November 20, 2007
What is an armature?
Guest blogger -Micaela K.
Guest Blogger-Julianna W.
Guest Blogger- Julie G.
Friday, November 16, 2007
Gesture Drawings
7th Grade Art Studio--Bookmaking
ART-ICULATION
http://www.ahsd25.k12.il.us/~TriciaFuglestad/VisualArt/page14/page15/page26/page26.html
Thursday, November 15, 2007
CLAY! CLAY! CLAY!
Guest Blogger- Tristian B. (Arts Alive)
Guest Blogger- Isabella G. (Arts Alive)
7th grade Impressionism
7th grade students are learning about a radical art style from the 1860's called Impressionism. Artists had the gall to go outside and paint, focusing on light and how it effects color rather than what things actually looked like. No wonder the museums in Paris refused to display their art. Such radical ideas should be ignored, and surely they will disappear...
But Impressionism is one of the most favorite art styles around the world today. By capturing a moment in time, Impressionist artists don't focus on minute details. Instead they capture a broad idea and let your mind's eye fill in the rest of the picture. They ask the viewer to look at the picture with wonder, to notice how reflections dance across a surface or how color changes depending on the time of day.
A way to remember Impressionism and what they cared about, is to remember the word ELBOW.
E- Everyday subjects. This was new as people tended to paint heroic ideals, religious paintings, paintings of rich patrons...not kids on a beach or people at a picnic.
L- Light was the most important element they looked at. How does light change colors? How does your eye mix colors so that we see the combination of them. How do complimentary colors work in shadows as as highlights of light?
B- Brushstrokes. Impressionists used short undefined brushstrokes to give an impression of color, shadow or highlights. Brushstrokes and blending of colors all one into another are two aspects of Impressionism that make it so unique.
O- Outdoor painting was unheard of. But with the invention of paint in tubes, artists were able to paint for long periods without their paint drying up.
W- Water was wonderful. It cast reflections, it was see-through, it floated things on it's surface. And with the newly invented inexpensive blue colors and orange in a tube, painting water was much easier than ever before.
Our seventh grade is working with oil pastels to capture the lights and darks in a fall still-life. By shining a bright light on the still-life, it gives the leaves and pumpkins a very dramatic effect.
Tuesday, November 6, 2007
Clarification of 8th grade sculpture/clay elective
Wednesday, October 24, 2007
8th grade Art Studio
Most of the students have chosen to work in clay this term, although we also have life size drawings of sports figures, popcycle stick cities, murals, collages and drawing studies in progress as well.
Before beginning their art, each student must think carefully about why they want to make their work, answering questions such as:
What is the theme of your work?
How is it different than any other work you have done?
Why is this valuable for you to do?
Upon completion, students must do a self critique, considering the following questions:
Describe: Wht did you create? Did the project stay close to the original plan or did it eveolve into something else. What elements did you use in it and where?
Analyze: Is the composition good? What art elements and principles ae working the hardest in your piece to express your idea?
Interpret: What meaning does your project have for you? What do you want the viewer to see in it?
Judge: What parts of the project are most successful and why? Are there any parts that you wish you did differently? Explain.
Tuesday, October 23, 2007
6th Grade Talking Walls Projects
Do walls talk? If they did, what would they tell us? Who built them? Why? Can you imagine a world without walls? Talking walls, based on the book of the same name by Margy Burns Knight , is a project that introduces children to cave art and a variety of cultures through looking important walls from around the world.
Sixth grade students looked at cave art through a variety of books and videos and discussed the 4 main theories of why people think they exist. They experimented with making drawing materials and paints, and created their own walls by covering ceiling board with plaster. They looked to their own lives to find meaning, and painted something that was very important to them on their walls. Some students choose to paint their pets, others a great family vacation. Some children focused on their love of sports and others painted themselves reading their favorite books.
We looked at compositions of cave artists and talked about elements of art that these ancient artists used. They carefully designed the compositions of their own walls, taking care to use principles of art to draw your eye to the art and make you linger over it by using emphasis, contrast, movement or color. Students then put a varnish over their art so that the work wouldn't crack and fall off the plaster, as did much of the ancient work in the Lascoux caves.
The students finished with assessments such as: How did the plaster effect the way you drew?
What kind of brushes work well for what type of painting? How did your wall compositions differ from those of other artists?
Monday, October 22, 2007
Georgia O'Keefe and 6th grade Arts Alive
7th grade perspective
Monday, October 15, 2007
Why do we write artist statements?
Wednesday, October 10, 2007
Predicting vrs. Observing
But this makes learning to draw difficult. The mind, in its hurry to move on to the next lesson, tries to anticipate what you are seeing. If you look at a vase, your mind registers that it is a vase and drops in a symbol of a vase in your mind's eye. But in art, we can't work with just symbols. Sometimes we need to draw a specific vase, this one right before you. We need to rely on observational skills to get that right.
One of the lessons we try to teach students is to observe. In order to do that, they need to look carefully at details, slow down their thinking (so the symbols don't replace what they are looking at) and draw slowly. We teach them to move their hand in sync with their eye, following the outline of an image as a contour line drawing. By learning to observe, students not only become better drawers, but they learn to notice more, to see what others are doing and feeling and to be better witnesses when the need arises.